Skip to main content

Tell Me


Old short stories can offer a glimpse of past perspective, but they aren’t exactly diary entries. They’re more akin to tattoos, the best ones bookmarking the past with hints and suggestions.
(No dog-eared pages here.)
“Tell Me” was published in Robert Howell’s Nails some years ago.
The second half of it is below. The first part you don’t get. Not on this site, anyway. The first part is like those certain below the belt tattoos; in order to set your eyes on it, you’ll need to get me drunk.

  
"Tell Me" Part 2
In the alley now. Going down St. Peter. Keeping her company, the sound of her boots, 
clack-clap, clack-clap, clack-clap, a passing police siren echoing through the street, clack-clap, clack-clap, clack-clap, a rooftop gutter releasing its bowels, clack-clap, clack-clap, clack-clap, duel pissings from a man too drunk to see, one of urine, another streaming from a phobic subconscious set loose from its tethers by so much narcotic, clack-clap, clack-clap, clack-clap. Claire suddenly stopped, having noticed she wasn’t breathing. She could not remember her last breath. She was simply walking, all along drowning in her own forgetfulness.

Breathing again. The sound of Claire’s boots returning to keep her company. Remembering to breathe. Around a corner and beside a dumpster something caught her eye: a massive slug making its way into the night. Claire had never seen a slug in the city. She imagined the conception of this full-blown gastropod in the steamy intestine of some distant forest from which it had been removed and brought to the city by some child. A child could never resist the experience that such a creature could provide. A child would stow it away, sneak it home. Then, one night, while the child quietly played with the slug, perhaps laying down and letting it crawl on her chest, a parent would enter the room and with a mixture of rage and disgust and perhaps fear, yes, certainly that, demand the immediate removal of the worm. Too big to squish, it would be released into the gutter with a shoo, shoo, go on now, beat it, go home.




photogram by amy howell ©

Comments

Popular posts from this blog

Grandparents Heart Babysitting

NANO's Volume 6 Number 1 features my latest piece of flash fiction, "Grandparents Heart Babysitting". Huge thanks to the editors - certainly for the inclusion, but also, and perhaps more importantly, for their attention to detail, their push to get every word just right. If you like things to read, short things, stories that move you and leave you wanting more, fictional flings, order your copy here .

Outside of Cars

Read my short story " Outside of Cars " in Corium Magazine's Issue 19. I mean, if you want. Just so you know what you're getting yourself into, here's a bit of my correspondence with the editor. "Your story made me very uncomfortable, which means it made me feel something, which is what we look for at Corium. As long as it's well-written, of course! And your story is, so I am happy to publish it." Results will more than likely vary. Artwork by Robert Howell

Let The Pain Be Your Guide

As defined by Merriam-Webster , noir is crime fiction featuring hard-boiled cynical characters and bleak sleazy settings. Or, when in France (from Wiktionary ): Noir (adjective, masculine)   1. black in color            Ce chat est noir. (That cat is black.)   2. inebriated           Il est noir.* (He is drunk.)   3. of black ethnicity           Il est noir.* (He is black.) (*Not sure how to read the difference between examples two and three, but I'll leave that to the French to explain.) Earlier this year I wrote my first noir piece (see American definition). Black Heart Magazine was kind enough to publish it. Robert Howell was kind enough to create a cover. My thanks to you both.  Here's the first sentence: --> I followed the man who’d punctured a hole in my arm into the garage.  That's all you get here. For the rest, you'll have to go there .